Character's Theater: Genre and Identity on the...

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Character's Theater: Genre and Identity...

Character's Theater: Genre and Identity on the Eighteenth-Century English Stage

Lisa A. Freeman

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Ինչպիսի՞ն է բեռնված ֆայլի որակը:

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Ինչպիսի՞ն է բեռնված ֆայլերի որակը:

"Lisa Freeman's excellent cultural analysis . . . demonstrates that character is a contested site in England's attempt to negotiate a changing sociology of class, gender, and nation even as it retained fundamental forms of patriarchy."—Albion

"Lisa Freeman's excellent cultural analysis . . . demonstrates that character is a contested site in England's attempt to negotiate a changing sociology of class, gender, and nation even as it retained fundamental forms of patriarchy."—Albion

Տարի:

2013

Հրատարակչություն:

University of Pennsylvania Press

Լեզու:

english

Էջեր:

312

ISBN 10:

0812201949

ISBN 13:

9780812201949

Ֆայլ:

PDF, 16.60 MB

IPFS:

,

english, 2013

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Ձեզ կարող է հետաքրքրել

Brander Matthews — Playwrights on Playmaking, and Other Studies of the Stage

Mohammed Jasim Betti — An Introduction to Drama

大连外国语学院英语系文学教研室编选 — 英国戏剧参考资料上

Castelvecchi, Stefano — Sentimental Opera: Questions of Genre in the Age of Bourgeois Drama

REVERMANN, M. & WILSON, P. (ed.) — Performnce, Iconography, Recption - Studies in Honour of Oliver Taplin

Alexander Leggatt — The Cambridge Companion to Shakespearean Comedy

Brander Matthews — Playwrights on playmaking

Brander Matthews — Playwrights on Playmaking, and Other Studies of the Stage

Brander Matthews — Playwrights on playmaking

Brander Matthews — Playwrights on playmaking

Lauren Shohet — Temporality, Genre and Experience in the Age of Shakespeare

Donohue Joseph. — Cambridge History of British Theatre, Vol. 2, 1680 to 1895

Martin Revermann, Peter Wilson — Performance, Iconography, Reception: Studies in Honour of Oliver Taplin

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Bond, Donald F;Sherburn, G — The Literary History of England

Joseph Wood Krutch — Comedy and Conscience After the Restoration

Margarete Rubik (auth.) — Early Women Dramatists 1550–1800

Misty G. Anderson (auth.) — Female Playwrights and Eighteenth-Century Comedy: Negotiating Marriage on the London Stage

Kimball King — Western Drama through the Ages Two Volumes : A Student Reference Guide

Arthur H. Scouten (auth.) — Restoration and 18th-Century Drama

W. H. Bruford — Theatre, Drama and Audience in Goethe's Germany

Alexander Leggatt — The Cambridge Companion to Shakespearean Comedy

Geo. Winchester Stone (editor) — The Stage and the Page

James J. Lynch — Box, Pit, and Gallery

Deborah Payne Fisk — The Cambridge Companion to English Restoration Theatre (Cambridge Companions to Literature)

Daniel O'Quinn — The Cambridge Companion to British Theatre, 1730-1830 (Cambridge Companions to Literature)

Stefano Castelvecchi — Sentimental Opera: Questions of Genre in the Age of Bourgeois Drama

Joseph Donohue (editor) — The Cambridge History of British Theatre: Volume 2: 1660 to 1895

Susan J. Owen — A Companion to Restoration Drama

Mark S. Auburn — Sheridan's Comedies, Their Contexts and Achievements

Lisa A. Freeman — Character's Theater : Genre and Identity on the Eighteenth-Century English Stage

Katherine M. Quinsey — Broken Boundaries: Women and Feminism in Restoration Drama

Katherine M. Quinsey — Broken Boundaries : Women and Feminism in Restoration Drama

Daniel S. Burt — The Drama 100: A Ranking of the Greatest Plays of All Time (Facts on File World of Literature)

Felicia Hardison Londre — The History of World Theater: From the English Restoration to the Present

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